OK: A discussion is appropriate! I think it is important that we all become students of inspiration and artistry. This is NOT TECHNIQUE. It involves personal growth in areas that make us a better human being and we bring that to every note we play in music, every movement we do as a dancer, every thing we say on stage! It means we have to go 'outside' to feed our souls. I know many already are doing this! But it's not part of our pedagogy for mastery of an instrument. The discipline of CONCENTRATION, where I have explored through the Inner Game of Music, is now amongst many accepted pedagogies in most music curriculum. That has taken 30 years but it is very common to have courses in schools on stage freight, concentration, peak performance. However, my hope is that the future will also have common place the requirement of voice training, rhythm training and movement training as essential as harmony, keyboard skills, and pedagogy classes! Expression comes through your body so what are we doing to feed the body? I say in many situations -not AS MUCH as we could.
We have to find it ourselves however. We have to create our own program. We have to find our own teachers, take our favorite movement disciplines, find coaches that will guide us along these paths. I hope this website will be one of the ways you will find your inspiration. Be your own teacher because you probably won't get this stuff from the local music store or academic music education class. You have to work harder for it but it's worth it. Can we continue the discussion? BG
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Pedagogy of the Human Spirit? Who is going to teach it?
Published February 9, 2010, 2:00 pm | by barry
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Chair factor
Thanks, Barry! I agree. And as teachers we need to TEACH from the edge of our seats in order to transfer that same energy and enthusiasm to our students!
-Nina
www.realfluteproject.com
The CHAIR FACTOR!! A Ranking for Symphony Orchestras!
How do you rank orchestras--poor to good to great? I have a new suggestion: Not by the $ budget, not by the reputation, not by the genius of the conductor, not by the percentage of 'great' concerts in a year vs good concerts or consistency factor. I propose a NEW SYSTEM! THE CHAIR FACTOR! That's right. Count the percentage of musicians who's back touch the back of their chairs. If they do..it's a negative point! TWO negative points for legs or feet crossed.
Recently attend the SF Symphony in an AMAZING concert. 99% chair factor. This orchestra is consistently GREAT because they sit on the edge of their seats! That's it! I also went to another concert that was 'so-so' and counted the number of players sitting with their backs touching the back of their seats. Maybe about 30%...that's how much better SF was than this other group. It's about energy. Think about it and make your own observations. It's about the body..and the energy! CHAIR FACTOR!!!! BG